You require not say ‘Nai’ (No) in the event that somebody demands you to go watch the most recent Kollywood discharge, Nai Nabhannu La 5. Yet, ensure that the individual asking isn’t your youth sweetheart.
The film is fascinating, yet it additionally confuses an officially complex thought of adoration, including its advantages and expenses. In spite of having qualities in its charming plot and passionate introduction, the motion picture, as it achieves its end, neglects to speak to the gathering of people, apparently due to its own particular endeavor to confound the straightforward yet excellent story.
The Deconstruction Of Central Message
The plot is basic. Sharp and excellent young lady Anjana (played by debutante Sedrina Sharma’s) fascination with a pleasingly nice looking Neer (played by Anubhav Regmi and Abhishek Nepal for various ages) closes in merciless catastrophe of her demise. The young lady’s twin sister Ranjana (Swastima Khadka) thinks about Neer from the expired sister’s journal and needs to make him her man. Neer, be that as it may, isn’t intrigued and continues disregarding her. She proceeds with her edgy endeavors to charm him.
The group of onlookers anticipates that the motion picture will end here. All riddles sewed in the main half are skillfully unwound in the second. The focal inquiry that the motion picture postures—for what reason is Neer not satisfied by the woman who does everything to win his heart—is replied by a muddled disclosure in the second half.
Be that as it may, the film does not end here. The journalists and chiefs make Ranjana and Neer become hopelessly enamored, and it is something that individuals who put stock in ‘intimate romance’ (if there exists anything like this) can’t stand. Neer, who had been declining to acknowledge Ranjana in his life in spite of her fair and untrustworthy endeavors, abruptly altering his opinion toward the end is past rationale. The story merits an appalling end, yet it ends up being a lighthearted comedy. The last five minutes deconstruct the whole message the film makes in two hours.
This is where you may feel that it is alright to overlook your youth sweetheart and proceed onward with any hardheaded individual you meet. You may neglect to see that the motion picture’s thought process is precisely the inverse. Nor is this message satisfying to any sort of gathering of people. Lovebirds feel their feelings pounded here.
All scenes are noteworthy in the plot development. There are no subplots embedded just to stretch the film. Nor are there an excessive number of characters, who might offer nothing to the motion picture itself, yet simply confound the group of onlookers. The film is bound together and minimal in its activity.
The conservativeness is immaculate in regard of time and place also. Over a wide span of time are compared flawlessly; and this juxtaposition is unequivocal in creating tension in the group of onlookers. The unfurling of association between the groups of Neer and Anjana just before the break additionally adds to the interest.
However there are some minor imperfections in the plot. The main half is clearly misguiding as most individuals from the gathering of people trust Ranjana is Anjana herself—the woman every now and again guarantees she is in Neer’s heart however Neer does not admit it and nobody calls her with her name. Punning names are utilized and that they are twins is hidden all through the main half—just to hoodwink the group of onlookers. In like manner, no data is given about who Neer’s father is and why his mother is separated from everyone else, sitting tight to get hitched for the second time.
Neer’s part in halting the separation of Anjana’s folks is excessively develop for his age. So is Anjana’s fixation on the propensity for journal composing since her initial youth.
It is alright that both the lead characters have a place with the high class, however the film does exclude anything about needy individuals of Nepali society. In like manner, men’s part is extremely ostensible here: it is possible that they are jokesters (Pandit and his mate) or unsympathetic experts (specialist). The part of Anjana’s father is constrained by the story itself. These minor issues make the whole story more fake than reasonable.
Feelings, yet not rationale, control the development from start to finish.
Regmi is as sweet as dependably and beginner Sharma superbly suits him. Nepal ably takes care of the demand for a bashful, despondent character. Khadka has gone about as stiff-necked late teenager; and she does it great.
Set up artistes Keki Adhikari, Priyanka Karki, Dilip Rayamajhi and Niruta Singh perform well as relatives of the saint and the champion. Buddhi Tamang and Jaya Nanda Lama mutually influence gathering of people to chuckle however their parts contribute nothing to the plot.
True to life Technicalities
Cinematography in general is estimable. Notwithstanding, wide shots have been utilized on more than would normally be appropriate events. The reiteration of comparative shots to demonstrate the single area feels dull to some gathering of people. For instance, the second tune of the film, Timro Aankhama Aankha Judhai, is defaced by too many rehashed shots. In correlation, the principal tune, Pheri Kaha Paainchha Ra Ghumera, is more pleasant. The movement is brilliant. Be that as it may, its verses are excessively philosophical for the time of youngsters the music is made for.
Right around 90 for every penny of the film is set in Ilam. Without a doubt, the excellent green garden satisfies the group of onlookers’ eyes in the first place. In any case, before the end, it swings to be excessively of something to be thankful for.
The consideration of publications of the motion picture’s prequels in a few scenes is a useful update that it is a continuation. Similarly, the characters discuss ‘phuchche’ and tunes of Nai Nabhannu La (the prequel). For new group of onlookers, be that as it may, the implication is somewhat pointless.
There is certainly not a solitary ‘battle scene’ in the film. It very well may be both a quality and a soft spot for the film.
The motion picture is of normal standard. It goes for speaking to individuals’ feelings and influencing them to feel weak before the obvious destiny. It has some something to think about as well, however the focal message repudiates itself.
Go watch the motion picture and rejuvenate the delicate measurements of your heart. Try not to attempt to overthink about theories, keeping in mind that you get befuddled.
Run time: 130 minutes
Type: Love story
Executive: Bikash Raj Acharya
Cast: Anubhav Regmi, Sedrina Sharma, Abhishek Nepal, Swastima Khadka, Priyanka Karki, Keki Adhikari, Dilip Rayamajhi